Lists


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American Cinematographer Magazine: “Electronic Cinematography” (March 1982 issue). Published by the American Society of Cinematographers.

Baudry, Jean-Louis. “Ideological Effects of the Basic Cinematographic Apparatus.” Film Theory and Criticism. Eds. Gerald Mast, Marshall Cohen, and Leo Braudy. Oxford: Oxford University Press, 1992.

Bazin, Andre. What is Cinema? Volumes 1 and 2. Berkeley: University of California Press, 2004.

Belton, John. “Looking Through Video: The Psychology of Video and Film.” Resolutions: Contemporary Video Practices. Eds. Michael Renov and Erika Suderberg. Minneapolis: University of Minnesota Press, 1995.

Cole, Janis. “The Harvest of Philip Hoffman.” Point of View Magazine (Summer 2005). Published by the Documentary Organization of Canada.

Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA: Harvard University Press, 2002.

Filmprint: “Movie Inside” (March/April 2007 issue). Published by the Liaison of Independent Filmmakers of Toronto.

Hendershot, Heather. “In Focus: The Death of 16mm?” Cinema Journal 45, no. 3 (Spring 2006).

Horak, Jan-Christopher. “Archiving, Preserving, Screening 16mm.” Cinema Journal 45, no. 3 (Spring 2006).

Henning, Michelle. “New Lamps for Old: Photography, Obsolescence, and Social Change.” Residual Media. Ed. Charles R. Acland. Minneapolis: University of Minnesota Press, 2007.

Hill, Helen. Recipes for Disaster: A Handcrafted Film Cookbooklet. Toronto: Splice This! Super-8mm Film Festival, 2001.

Keathley, Christian. Cinephilia and History, or The Wind in the Trees. Bloomington: Indiana University Press, 2006.

Kroker, Arthur. “The Image Matrix.” CTheory. http://www.ctheory.net/will/index.html

MacDonald, Scott. “16mm: Reports of Its Death Are Greatly Exaggerated.” Cinema Journal 45, no. 3 (Spring 2006).

Mangolte, Babette. “Afterward: A Matter of Time.” Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Eds. Richard Allen & Michael Turvey. Amsterdam University Press, 2002.

Rich, B. Ruby. “Projections: Is There Film After Video?” The Village Voice (May 20-26, 1981).

Russell, Catherine. Experimental Ethnography: The Work of Film in the Age of Video. Durham, NC: Duke University Press, 1999.

Sherman, Tom. Cultural Engineering. Ottawa: National Gallery of Canada, 1983.

Takahashi, Tess. “Meticulously, Recklessly Worked Upon: Direct Animation, the Auratic and the Index.” The Sharpest Point: Animation at the End of Cinema. Eds. Chris Gehman and Steve Reinke. Toronto: YYZ Books, 2005.

Usai, Paolo Cherchi. The Death of Cinema: History, Cultural Memory and the Digital Dark Age. London: British Film Institute, 2001.

Wees, William C. “The Apparatus and the Avant-Garde.” Film and the Future: Papers Given at the Film Studies Association of Canada Conference, June 1982 (A special supplement to Cinema Canada - June 1983).

Williams, Raymond. “Dominant, Residual, and Emergent.” Marxism and Literature. Oxford: Oxford University Press, 1977.


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